Black Culture, African American Music

Some people talk about wearing their emotions on their sleeves; Tyler one ups the sentiment.
Borrow from the Best The most obvious example of borrowing from the best lies in the evolution of rock and roll itself, which borrowed heavily from rhythm and blues, deeply rooted in black culture. Some even say rock pioneers stole the soul of African American music, which emerged from a culture of suffering and survival to become America’s most unique and globally dominating art form. Elvis was a key innovator who combined soul and gospel, the sounds that surrounded him in his youth, to create a new sound that mainstream culture gobbled up.
The massification of his roots, which stemmed from exposure to black culture and music, divided pop music culture into two eras- “B.E.” and “A.E.”-which not only changed contemporary music but changed cultural values around the world as well.
The transition of blues and soul to rock and roll was not limited to Elvis and Bill Haley; some first movers within minority markets, such as Louis Armstrong, Nat “King” Cole, and Chuck Berry, achieved substantial mass market success. Following a trickle up approach, they broke through the traditional race based market barriers to reach and dazzle mainstream markets. But even rural blues stars like B.B. King achieved greater success because of the massification of his product by the likes of the Rolling Stones and Eric Clapton. In fact, today, his records sell to more white consumers than African American fans.
Two white singers who helped pave the way for mainstream adoption of B.B. King were Bobby Hatfield and Bill Medley. Like Elvis, they listened to black singers such as Charlie & Ray and Jessie and Marvin, duplicating their soul based, close harmony songs so well that they were booked at black oriented clubs. During one of their appearances, one fan yelled to them on stage, “That’s righteous, brothers.” You know how the story goes from here. Millions of records and scads of sold out concerts later, it was clear that fans of all colors had embraced rock and roll sounds derived from the African American culture. Hatfield and Medley were honored as the Righteous Brothers at the 2003 Rock and Roll Hall of Fame induction ceremonies for their “blue eyed soul” music. At that same induction ceremony, Elton John acknowledged the debt rock and rollers owe to the blues musicians who developed the art form that led to rock and roll’s dominance among global music and culture.

American Values, September 28

As at an Elvis show, you can’t be in a bad mood while jamming at a Neil Diamond concert. There’s the innocence of his music, his infectious passion and energy, and the communal emotional ride taken with thousands of fans. Emotions ran high during his Three Chord Opera world tour, which began on September 28, 2001, in Columbus, Ohio, soon after the September 11 attacks, and traveled to 90 cities in 16 months. Following the tragedy, many performers canceled performances out of respect for the victims and their families. Some bands, however, decided to continue their tours, recognizing that many people felt the need to bond together, explaining in part the popularity of this Diamond tour. The Irish rock band U2 in fact, decided not only to keep its Elevation tour on track, it actually added nine shows to its lineup. Ask fans today, and they’ll tell you that U2’s decision to play to heal the nation made them even greater fans of the band.
Neil Diamond took a similar approach. His values are American values personified, evidenced in particular by a special tribute to New York City firefighters and police (with a moving rendition of “He Ain’t Heavy, He’s My Brother”) and the unfurling of an American flag to the rousing refrain of his hit “America.” He captured the mood of the country, and audiences responded with tears of patriotism, sorrow, and pride. In Canada, he added two Canadian flags to the stage and talked about “neighbors joined at the border.” Diamond tells reporters that people want to get out and away from the television set and the dire news that constantly confronts them.

Apple Pie, American Culture

Whereas the Rolling Stones shattered the traditional image of what it means to be 60, Cadillac’s brand only furthered it. The more people adopted a youthful mind set, the greater the disconnection between Cadillac and the baby boomer market became. To bolster sales, create a new generation of fans, and increase profits, Cadillac would have to position itself as a lot more Rolling Stones and a lot less rocking chair.
Reinvigorating Culturally Relevant Brands Few brands represent American culture as well as those created, owned, and marketed by General Motors. Under famed chairman Alfred Sloan, GM not only pioneered many management processes for large, centralized corporations; it built powerful consumer brands, such as Chevrolet and Cadillac, and industrial brands, such as Delco and Detroit Diesel. Today, however, GM faces the same challenges as other firms-the need to represent, relate to, and influence the culture in which it operates.
Years ago, brand managers at Chevrolet evaluated America’s core culture to guide marketing and advertising themes. They determined that hot dogs and apple pie were the culture’s comfort foods, and baseball its national pastime. The resulting musical slogan-hot dogs, baseball, apple pie, and Chevrolet-connected brilliantly with Americans in the post

American Culture, Stage Movements

Several significant things happened that night. Elvis touched the collective nerve of the nation with his voice, beauty, and stage presence, transcending traditional age and race divisions within the American culture of the 1950s. Audiences applauded his voice and singing talent, but they screamed for the way Elvis performed. He didn’t just sing a song on stage, he entertained people-gyrating, swaying, and flashing his little boy smile. To many of his female fans, the songs he sang were secondary to his personality and the way he performed them, evoking an emotional response that made the girls swoon. As a result, the Sullivan show achieved an audience share of 82 percent, a record never equaled until the Beatles appeared years later. It was clear that Elvis was amassing fans; it was clear that people wanted to love him. And that night, Sullivan gave America permission to do so and to invite Elvis into their lives and their culture. Following Elvis’s performance, Sullivan walked over to him, put his arm around his shoulder, and told America, with great sincerity, that Elvis was “a fine and decent boy.” From that point on, entertainment was never the same, dividing the history of twentieth century music into before Elvis (B.E.) and afterElvis (A.E.) timeframes. Many would argue that American culture was also forever changed. The young, white, and openly sexual performer created upheaval in many households, causing teens to butt heads with their parents’ primarily Victorian values and embrace the statement Elvis made with his risqu

American Telephone, Stock Prices

2. The rate earned on the Standard & Poor’s index of 425 industrial stocks was about ?2% on asset value-due in part to the inclusion of the large and highly profitable IBM, which is not one of the DJIA 30 issues.
5793. Achart issued by American Telephone & Telegraph in 1971 indicates that the rates charged for residential telephone services were somewhat less in 1970 than in 1960.
4. Reported in the Wall Street Journal, October, 1970.
Chapter 3. A Century of Stock Market History: The Level of Stock Prices in Early 1. Both Standard & Poor’s and Dow Jones have separate averages for public utilities and transportation (chiefly railroad) companies. Since 1965 the New York Stock Exchange has computed an index representing the movement of all its listed common shares.
2. Made by the Center for Research in Security Prices of the University of Chicago, under a grant from the Charles E. Merrill Foundation.
3. This was first written in early 1971 with the DJIA at 940. The contrary view held generally on Wall Street was exemplified in a detailed study which reached a median valuation of 1520 for the DJIA in 1975.
This would correspond to a discounted value of, say, 1200 in mid1971. In March 1972 the DJIA was again at 940 after an intervening decline to 798. Again, Graham was right. The “detailed study” he mentions was too optimistic by an entire decade: The Dow Jones Industrial Average did not close above 1520 until December 13, 1985! Chapter 4. General Portfolio Policy: The Defensive Investor 1. A higher tax free yield, with sufficient safety, can be obtained from certain Industrial Revenue Bonds, a relative newcomer among financial inventions. They would be of interest particularly to the enterprising investor.

Class, American Shareholders

But the latest epidemic of scandal-allegations of managerial misbehavior, shady accounting, or tax maneuvers at major firms like AOL, Enron, Global Crossing, Sprint, Tyco, and WorldCom-is a stark reminder that Graham’s earlier warnings about the need for eternal vigilance are more vital than ever. Let’s bring them back and discuss them in light of today’s events.
THEORY VERSUS PRACTICE Graham begins his original (1949) discussion of “The Investor as Business Owner” by pointing out that, in theory, “the stockholders as a class are king. Acting as a majority they can hire and fire managements and bend them completely to their will.” But, in practice, says Graham, 497the shareholders are a complete washout. As a class they show neither intelligence nor alertness. They vote in sheeplike fashion for whatever the management recommends and no matter how poor the management’s record of accomplishment may be. …The only way to inspire the average American shareholder to take any independently intelligent action would be by exploding a firecracker under him. . . .
We cannot resist pointing out the paradoxical fact that Jesus seems to have been a more practical businessman than are American shareholders.

American American Average, Current Liabilities

  • When Graham wrote, only one major mutual fund specializing in utility
stocks-Franklin Utilities-was widely available. Today there are more than 30. Graham could not have anticipated the financial havoc wrought by can TABLE 14 3 DJIA Issues Meeting Certain Investment Criteria at the End of American American Average, Can Tel. & Tel. Anaconda Swift Woolworth 5 Companies Price Dec. 31, 1970 ?4 ?8 21 ?8 ? Price/earnings, 1970 11.0  12.3  6.7  13.5  14.4  11.6  Price/earnings, 3 years 10.5  12.5  5.4  18.1 b 15.1  12.3  Price/article value 99% 108% 38% 113% 148% 112% Current assets/current liabilities 2.2  n.a. 2.9  2.3  1.8 c 2.3  Net current assets/debt 110% n.a. 120% 141% 190% 140%

Stability indexa 85 100 72 77 99 Growtha

55% 53% 78% 25% 73% 57% a See definition on p. 338.

b In view of Swift’s good showing in the poor year 1970, we waive the 1968

Common Stocks, American Financier

They are entitled by law to charge rates sufficient for an adequate return on their invested capital, and this will probably protect their shareholders in the future as it has in the inflations of the past.
All of the above brings us back to our conclusion that the investor has no sound basis for expecting more than an average overall return of, say, 8% on a portfolio of DJIA type common stocks purchased at the late 1971 price level. But even if these expectations should prove to be understated by a substantial amount, the case would not be made for an all stock investment program. If there is one thing guaranteed for the future, it is that the earnings and average annual market value of a stock portfolio will not grow at the uniform rate of 4%, or any other figure. In the memorable words of the elder J. P. Morgan, “They will fluctuate.”* This means, first, that the common stock buyer at today’s prices- 54 The Intelligent Investor
  • John Pierpont Morgan was the most powerful financier of the late nineteenth and early twentieth centuries. Because of his vast influence, he was
constantly asked what the stock market would do next. Morgan developed a mercifully short and unfailingly accurate answer: “It will fluctuate.” See Jean Strouse, Morgan: American Financier (Random House, 1999), p. 11.or tomorrow’s-will be running a real risk of having unsatisfactory results therefrom over a period of years. It took 25 years for General Electric (and the DJIA itself) to recover the ground lost in the 1929

American Corporations, our Corporations

In the economic cycles of the past, good business was accompanied by a rising price level and poor business by falling prices. It was generally felt that “a little inflation” was helpful to business profits. This view is not contradicted by the history of 1950